OBERTORIUM Overture for Symphonic Band; DAVID ESTEVE Pasodoble Concierto

OBERTORIUM
Commissioned for the inauguration of the Auditorium Rafelbunyol

 OBERTORIUM.mp3

 Obertura para Banda y Coro / Ouvertüre für sinfonisches Blasorchester und Chor / Overture for symphonic band and choir

___

David Esteve y A. Sánchez Pedro

David Esteve PDF

David Esteve .mp3

Heidelberg

With my mother Dolores Pedro in Heidelberg/Germany
Mit meine mutter  Dolores Pedro in Heidelberg/Deutschland
 02/Aug/2011

                                                                                    

Neckar Fluss und Schloss; River Neckar and Castle, August 2011

Con Carlos Apellániz en el Teatro Arriaga.
Bilbao_Julio 2002

Con Pacho Flores en Rafelbunyol

Mit Thomas Indermühle, Palma Mallorca. Januar 2015

               

With the València Symphonic Orchestra's double bass player, Javier Sapiña.
Palma Mallorca - May 8, 2015.

Pacho Flores plays my composición "1969", from Kuala Lumpur, Malasya.
6 Mar.2016

The Men in Black in Cala Figuera-Santanyí/Mallorca 9 July'16 : 

A. Sánchez Pedro-Javi Sapiña-Vicent Balaguer-Miguel A. Balaguer

Dolores Pedro

DoloresPedro mp3

Fantasía :
"Dolores Pedro" 
A ma Mare

Dedicado a mi Madre - Dedicated to my Mother
Gewidmet meiner Mutter

http://pilesmusic.net/tienda/conjuntos/banda/banda-sinfonica/banda-original-grado-3-4/dolores-pedro-completa-a-4/?keyword=dolores+pedro

Dedicated to my mother on her 78th birthday, the day of the pieceʼs debut performance by the “La Primitiva” Music Society of Rafelbunyol on 1 July 2007 at the Palau de la Música in Valencia.This performance formed part of the City of Valencia International Band Competition.

The piece is based on a free tripartite structure, which develops and incorporates totally Spanish themes that are clearly reflected throughout this fantasia.

The first section opens with an attractive introduction played by the tuned percussion, leading us directly into a cantabile from the French horn answered by the bassoon and cello. Next, a new theme appears stated by the wind instruments accompanied rhythmically by bongos, which takes us to the following section.

In the second section, the main theme appears at the tempo of a pasodoble. Here we find all the identifying characteristics of a piece deeply rooted within Spanish music and which will climax with a full instrumental ensemble that abounds in splendour and sonic richness.

The third and final section begins with a cadenza by the alto sax which continues with a malagueña theme in 3/4. The complete saxophone statement in answered by the full band ensemble, bringing the Spanish fantasia “Dolores Pedro” by Antonio Sánchez Pedro to a close.